A Philosophical Enfranchisement of Yellowism
College of Liberal Arts and Sciences
Social and Behavioral Sciences
When Vladimir Umanets (whose name is an anagram of Im [sic] true vandalism) entered the Tate Modern on October 7th, 2012 and nonchalantly defaced Rothko's Black on Maroon, he was operating, not as an artist or a vandal, but as a Yellowist. Yellowism is neither art nor anti-art, but instead a supposedly new element of culture that exists for its own sake and is about nothing but the color yellow. It might be tempting to write Yellowism and the Rothko defacement off as an immature prank or intellectual fraud, but, I argue, Umanets has, intentionally or not, made salient issues that should be of interest to philosophers of art. In particular, reflection on these matters raises interesting questions about the relation between convention, stipulation, and ontology.
American Philosophical Association, Central Division
Cray, Wesley, "A Philosophical Enfranchisement of Yellowism" (2014). Faculty Scholarly Dissemination Grants. 941.
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