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Sharp Stick Grasps at Autistic Women’s Liminal Vulnerability, Meaghan Krazinski Ought: The Journal of Autistic Culture
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It’s not about you—it’s about me, Robert F. Johnson Robert F Johnson, MD, MEd
Midrash, Sarah Krishef Honors Projects
Autism-as-Machine Metaphors in Film and Television Sound, Erin Felepchuk Ought: The Journal of Autistic Culture
A Change in Theatre, Ben Friedman Cinesthesia
Eighth Grade: Found Footage and Found Story, Kaleb A. Liermann Cinesthesia
Parasite: A Film Review on Capitalism, John K. Kim Cinesthesia
Butts, Blood, and Bombs: The American Occupation’s Effect on Japanese Cinema, Dan Geary Cinesthesia
Truffaut’s L’Enfant sauvage (The Wild Child, 1970): Evoking Autism and the Nascent “Eugenic Atlantic”, Joy C. Schaefer Ought: The Journal of Autistic Culture
La Batalla Del Cine Chileno: Chilean Cinema’s History of Resisting Hollywood, Alexander V. Berdy Cinesthesia
A Short History of Film and Censorship in Mainland China, Rebecca E. Harvey Cinesthesia
Cinematic Auteurism, and the New Wave Sensibilities of Sofia Coppola's "Lost in Translation", Benjamin Brewster Cinesthesia
An American Oilscape: The Affective Emotionalism of Petroleum in There Will Be Blood, Maren Loveland Cinesthesia
Love Simon as a Modern, Gay Coming-of-Age Narrative: A New Point of Contention and Engagement for Queer and Popular Culture, John H. Haley Jr. Cinesthesia
A Culture of Loyalty and Secrecy: Spotlight and the Power of Organized Religion in America, Sara E. Juarez Cinesthesia
Overheard and Misheard: The Paranoid Unreliable Narrator of The Conversation, Ryan Jones Cinesthesia
It’s not about you—it’s about me, Robert F. Johnson Peer Reviewed Articles
But I'm a Cheerleader: Queer in Content and Production, Syd Martin Cinesthesia
The Gang Beats the Odds: It's Always Sunny in Philadelphia's Consistent Popularity, Matt Nutile Cinesthesia
Aspects of Moonlight, Emma Keenan Cinesthesia
The Power of the Documentary: Examining the Effectiveness of Ava DuVernay’s 13th, Sara E. Juarez Cinesthesia
Can I Have a Look?: A Formal Analysis of Hitchcock and the Art of Suspense in "Rear Window", Kevin S. Brennan Cinesthesia
Marvel Films As Effective Cinema Therapy, Lucas Nielsen Cinesthesia
Breaking the Celluloid Ceiling, Kellie Ann Cassel Cinesthesia
The Representation of Trans Women in Film and Television, Nikki Reitz Cinesthesia
What Makes a Movie Trailer Successful?, Andrew Bedard Honors Projects
Faint Glimmers of Civilization: Mediated Nostalgia and “The Grand Budapest Hotel”, Jamie L. Bick Cinesthesia
Understanding Loss of Self in "My Beautiful Broken Brain", Erika P. Collin Cinesthesia
The Value of Parental Co-Viewing on Children and Families, Alison Work Cinesthesia
Movies in Medicine: Cinema Therapy for Children Suffering From Chronic Health Conditions, Wesley D. Buskirk Cinesthesia
The Underrepresentation of African Americans and the Role of Casting Directors, Chantal Suhling Undergraduate Research
Into Darkness: Representing American Anxieties, Alison Pettibone Cinesthesia
I Want To Believe: Kant, The X Files, And Cosmopolitical Unity, Jeremy Knickerbocker Cinesthesia
“I’m Trying To Do Something Important”: The Materialist Ideology of Birdman, Nicholas Beardslee Cinesthesia
New Hollywood: Classical Hollywood in a New Light, Wesley D. Buskirk Cinesthesia
Digital Vision and the Noir Hero in Claire Denis’ Bastards, Spencer Everhart Cinesthesia
The Lens that Sees Itself: Fruitful Interactions of Film and Philosophy, Travis Wheeler Cinesthesia
An Interview with Barbara Roos, Joe Hogan Cinesthesia
Chile: Cinema in Exile, Hannah Lynch Cinesthesia
Paul Leduc: The Politics of Mexican Cinema in the 1970s, Joe Hogan Cinesthesia
Egyptian Film and Feminism: Egypt’s View of Women Through Cinema, Wesley D. Buskirk Cinesthesia
Nollywood: Rooted in Yoruba, A. Evan Kresta Cinesthesia
That’s Why I’m Lonely: Ideology of the Absurd, Jeremy D. Knickerbocker Cinesthesia
Formalism Exemplified in The Wolf of Wall Street, Jillian S. McCafferty Cinesthesia
The Zone: James, Tarkovsky, and Understanding Reality, Travis Wheeler Cinesthesia
An Apartment of One’s Own: Personal Initiative and Private Ownership in Frances Ha, Anna Bowles Cinesthesia
Moral Anxiety, Mortal Terror: Considering Spielberg, Post-9/11, Jake T. Bart Cinesthesia
"If You Have No Men, You Have No War!”: A Critical Overview of Edgar Selwyn's Men Must Fight (1933), Ryan R. Copping Cinesthesia
All There is to See: Film Restoration and Access in the Digital Age, Robert Peters Cinesthesia
Let Them Roam, Kirk Rasmussen Cinesthesia
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The Cinema of Spain: An Overview, Shae Spencer Cinesthesia
An Interview with Annette Insdorf, Joseph T. Hogan Cinesthesia
Left Nameless, Kirk Rasmussen Cinesthesia
Glass Ceiling High Rise, Kirk Rasmussen Cinesthesia
Thin Air, Kirk Rasmussen Cinesthesia
Roots, Kirk Rasmussen Cinesthesia
Nanda Khat, Kirk Rasmussen Cinesthesia
Good Storm (2), Kirk Rasmussen Cinesthesia
Once Upon a Time In Louisiana: The Complex Ideology of Beasts of the Southern Wild, Jake T. Bart Cinesthesia
Exploring Time and Space in Frame by Frame Animation, Daniel L. Ketchum Cinesthesia
Postmodern Funhouse: The Sly Underpinnings of Hitchcock’s Psycho, Jacob T. Bart Cinesthesia
The Realism of Space in Black Swan, Raquel Bordin Cinesthesia
Lightplay, Natalie J. Phillips Cinesthesia
Moment Lost, Natalie J. Phillips Cinesthesia
The Cinematic Power of Night and Fog, James M. Christie Cinesthesia
Light Describing a Cone, Natalie J. Phillips Cinesthesia
Portrait #2, Natalie J. Phillips Cinesthesia
Title Still, Natalie J. Phillips Cinesthesia
Night, Griffin Pines Cinesthesia
Burner, Griffin Pines Cinesthesia
Masculinity, Audience, and Narrative Structure: A Comparison of "True Blood" and "Dead Until Dark," and of Jason and Lafayette in the TV Series, Dan Ketchum Cinesthesia
For Country, For Women: Women Directors in the Czech Republic, Hungary, Poland, and Romania, Kathleen McEneaney Cinesthesia
Epistemology in "Stalker", Travis Wheeler Cinesthesia
Formal Elements of Art: Analyzing the Dreamy Nature of Film, Adam Duke Cinesthesia
Kurosawa's "Seven Samurai" and the Japanese Art Form, Dave Chaness Cinesthesia
Back to Basics: The Dogme 95 Movement, Travis Blake Cinesthesia
Sound in "Blue Velvet", Shae Spencer Cinesthesia
Black Jesus, Griffin Pines Cinesthesia
Red Apple, Griffin Pines Cinesthesia
Untitled #4: "Director at the chair", Mallory Quinn Cinesthesia
Untitled #1: "There Will Be Blood", Mallory Quinn Cinesthesia
Untitled #3: "Paranormal Activity 2", Mallory Quinn Cinesthesia
Untitled #2: "Little Miss Sunshine", Mallory Quinn Cinesthesia
Cinematic Realism in Bigelow's "The Hurt Locker", Kelly Meyer Cinesthesia
Framework of Fear: The Postmodern Aesthetic of "Paranormal Activity 2", Spencer Everhart Cinesthesia
Dismantling the American Dominant Ideology: Anderson's "There Will Be Blood", Dan Ketchum Cinesthesia
Illuminating Realism: A Bazinian Analysis of Spike Lee's "Inside Man", Joseph Hogan Cinesthesia
Little Miss America: An Ideological Analysis of "Little Miss Sunshine", Nikki Martin Cinesthesia
An Asymptote of Reality: An Analysis of Nolan's "Inception", Carson Ratliff Cinesthesia
"Little Miss Sunshine" and its Basis in Reality, Danica Butkovich Cinesthesia
Anti-Haitian Rhetoric and the Monumentalizing of Violence in Joaquin Balaguer's Guía emocional de la ciudad romántica, Medar Serrata Medar Serrata
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Honors Senior Project, Matthew T. Dayton Honors Projects
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