Date Approved
4-2019
Graduate Degree Type
Thesis
Degree Name
English (M.A.)
Degree Program
English
First Advisor
Dr. Robert Rozema
Second Advisor
Dr. Kathleen Blumreich
Third Advisor
Dr. Brian Deyo
Academic Year
2018/2019
Abstract
Neil Gaiman’s Vertigo Series The Sandman is an exceptional artistic endeavor. From “Preludes and Nocturnes”(1988) to “The Wake” (1996), Gaiman worked alongside a team of talented artists and graphic designers to produce an indelible work of revisionist mythology. This thesis will attempt to establish the framework by which our modern literary canon has celebrated classical Western myths while relegating graphic or visual forms of literature or outright neglecting comic myths altogether. Scott McCloud’s Understanding Comics will frame the discourse for pictographic analysis of Neil Gaiman’s mythological revisionism of Milton’s Paradise Lost in Season of Mists, Italo Calvino’s Invisible Cities and The Travels of Marco Polo in “Soft Places.” The Sandman is a playful modern myth that revives classical mythology within the comics medium, calling for a new kind of literary discourse that seeks to reverse decades of literary bias resulting from the 1950s Comics Code that has relegated the medium as juvenile. I will argue that given the comics flexibility, it is the only medium in which a transtextual myth of this nature can be fully realized.
ScholarWorks Citation
Teft, Nathan, "The Sandman: The Artifice of Comics and Power of Dreams" (2019). Masters Theses. 936.
https://scholarworks.gvsu.edu/theses/936
